The handsomest drowned man in the world Essay

charming realism is a genre that portrays both reality and fantasy. As defined by Faris (2004) in Ordinary spellbind custodyts, charming realism is a genre of theme that includes an irreducible cistron of magic and elaborate that suggest phenomenon (Faris, 2004, p. 7). He describes the irreducible element as something we brush asidenot explain according to the laws of the homokind as they buzz off been formulated in Western empiric everyy based preaching (Faris, 2004, p. 7). In Gabriel Garcia Marquezs scam reputation, The handsomest drowned sm every(prenominal)-arm in the world, the facets of supernatural realism ar rife. He uses magical realism to enchant the ratifier. The story is of a small cliff-side and coastal corporation that is inhabited by about(predicate) twenty people and is barren, flowerless land. This settlement is for incessantly and a solar day changed by the arrival of an awe-inspiring ashes. The elements of magical realism start to appear whe n this carcass that has washed ashore is of a pitying race who is unimaginably beautiful, taller than any person they had ever seen, and is not rotted although, any corpse traveling through the ocean should have been rotted by and so.The villagers agilely relieve iodinself him in as one of their own. They make him Esteban and forecast what their lives would be like with him around. This story is in a realistic environment, exactly the features of this man they have found be magical almost, and the fact that they so passing(a) accept him is one of the factors that constitute this short-change story as magical realism. The elements of magical realism are exposed as Marquez compels readers to challenge their way of thinking by portraying characters and situations that illustrate phenomenon and extreme faith. The villagers lay out tremendous faith in their immediate acceptance, instead of questioning and fear, of the astonishing drowned man who has so many quali restrain s that are above and beyond that of a normal human universe. the drowned man was becoming all the much Esteban for them, and so they wept so much, for he was the more destitute, most peaceful, and most obliging man on earth, poor Esteban. So when the men pass awayed with the news that the drowned man was not from the nigh villages either, the women felt an opening of jubilation in the midst of their tears. Praise the Lord, they sighed, hes ours (Marquez, 1972, p. 3).The town turn backs in pick out with Esteban, treating him like one of their own, barely correct give way. The women imagine what his life was like before, being so much bigger indeed everyone else and being more handsome then the rest. They make clothes and jewelry for him and imagine what their lives would be like having him as a husband. The villagers really seem to perform together in their admiration of Esteban. Their faith potently exemplifies the magical realism elements in this story, seeing as n ormally a reader would expect society to not so readily except something that is so unnatural and uncommon to them. The villagers later decide they request to hold a magnificent funeral for Esteban and they take to that he give return to them one day, as he is a get down of their community in their eyes. They let him go without an anchor so that he could come back if he wished and whe neer he wished, and they all held their breath for the fraction of centuries the body took to fall into the abyss. They did not need to look at one another to realize that they were no longer all present that they would never be (Marquez, 1972, p. 4).They hold Esteban in such(prenominal) high esteem, yet he is however a dead corpse. This shows the characteristics of magical realism, Esteban having the irreducible element of magic that enchants the village. Also, they have this silver screen faith that this dead body ordain return to them which is why they did not tie an anchor to him. That phen omenon would likely never come about in the real world, but it makes readers question if this glorious being would actually return and be part of their village. During the grand funeral, the villagers greet the emptiness and dryness of their streets, land, and dreams. Not totally do the people of the village entrust Esteban to return, but they want to transform their village to be a better stop for him, and ultimately for themselves as well. everything would be antithetical from then on, that their houses would have wider doors, higher ceilings, and stronger floors they were way out to paint their house fronts gay colour to make Estebans memory unremitting and they were going to break their backs digging for springs among the stones and plant flowers on the cliffs (Marquez, 1972, p. 4).Estebans marvel has enchant the village into wanting to better themselves. fifty-fifty if over a non-living body, this village will now not be a bland and flowerless desert. The community i s over all bettered through their blind faith in Esteban. Is blind faith really a bad fixation? If a community chooses to become a greater can because of the touch in an unlikely even offt, then there does not seem to be much harm. And the concept is not only in fairy tales and magical realism stories. In many religions, the people recollect in an idea that seems absurd but, it can bring them together and set a standard for positive life agencys and actions.Some religions even have beliefs similar to the story broth of Marquezs short story, where there is a magnificent being that has died and the people are waiting on the beings return. While in the mean time they try to better their community and their selves for this individual. An example of this is Jesus Christ, and the Christians belief that he will one day return to this world. It seems plausible that Marquez was making a statement on societys blind faith in his short story. But also, he fascinates the reader with a tale of a phenomenon, while stilling maintaining the readers tint of reality. Furthermore, not only is The handsomest drowned man in the world an insightful short story, but it also greatly exemplifies the unique style of writing that is magical realism.ReferencesMarquez, G. (1972). The handsomest drowned man in the world A tale for children. In Leaf storm and other stories (pp. 98-104). Retrieved from http//books.google.com/ Faris (2004). Magical Realism between Modern and postmodernist Fiction. In Ordinary Enchantments (pp. 7-42).